Shitsurindo and ZOZO NEXT Launched Collaborative Research on New Lacquer Techniques
KOGEI Topics VOL.19

VOL.1-19
Update
VOL.1-17
Update
VOL.1-43
Update
VOL.1-2
Update
VOL.1-3
Update
VOL.1
Update
VOL.1-7
Update
VOL.1-32
Update
VOL.1-26
Update
VOL.1-12
Update
VOL.1-3
Update
VOL.1
Update
We share a variety of information and perspectives on Japanese crafts, including exhibition information and interviews.
KOGEI Topics VOL.19
New Products VOL.17
Featured Exhibitions & Events VOL.43
KOGEI Topics VOL.18
Apr 5 – Jun 22, 2025
SEIKADO BUNKO ART MUSEUM
Apr 8 – May 6, 2025
The Gotoh Museum
Apr 11 – Jun 15, 2025
Kyoto City KYOCERA Museum of Art
Apr 12 – Jun 29, 2025
TOGURI MUSEUM OF ART
Yasuko Kamochi and Yumiko Tanaka are in charge of “etsuke” (decorative painting) at Fukujugama in Arita, Saga Prefecture. Even in Arita, which is the famed historical area of porcelain, there are few artisans specializing in etsuke at the present time. Yasuko joined Fukujugama because her sister worked there too. At that time, Arita ware was in high demand. Etsuke is a finely divided work where each painter paints a specific portion. By doing the same work over and over again, she was able to gradually improve on her etsuke techniques. “Precise brush strokes are important for etsuke but I prefer to draw vigorously than to paint within a square”, said Yumiko who had worked for a city office prior to joining Fukujugama. As she learns from her seniors, she remembered about the orderly appearance of “sometsuke” (painting with blue pigment) and overglaze painting. Etsuke is a persistent work, but the voice from customers saying “I like this vessel” gives her a sense of satisfaction. “This job can even be done by amateurs like us, so we think anyone can do it.”, the gentle smile of the two ladies shone through even as they spoke, seemingly symbolizing the softness of etsuke which Fukujugama is good at.