Traditional Craft Experience Reservation Site in Tokyo, Also Accessible to International Tourists
KOGEI Topics VOL.17

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We share a variety of information and perspectives on Japanese crafts, including exhibition information and interviews.
KOGEI Topics VOL.17
New Products VOL.14
Editor's Column “The Path of Japanese Crafts” Part2: Modern Society and Kogei VOL.2
The Art of Appreciating Tea Bowls VOL.3
Mar 5 – Mar 10, 2025
Kyoto Takashimaya
Mar 6 – Jun 7, 2025
SHISEIDO ART HOUSE
Mar 7 – Jun 15, 2025
21_21 DESIGN SIGHT
Mar 8 – Sep 28, 2025
SAGAWA ART MUSEUM
Mix the paint and apply it on the woodblock. Place the Japanese washi (paper) carefully on the block and use the baren (a flat pad) to rub the washi. After these processes and with bated breath, Mr. Noriyasu Soda quickly pulls the washi off from the wood block, on which a beautiful color with deep perspectives appears. “Although it is just transferring colors onto paper, depending on the artisan’s skills, a sense of perspective and composition could be shown on the print. I feel good when the expressions of each color makes perfect balance in a single print”, Noriyasu said with a laugh. After graduating from an art college he had worked in building restoration. However, he was attracted by the history of ukiyo-e which is unique to Tokyo, and subsequently entered Takahashi Kobo, Inc. and worked as a “surishi” or printer. The trust and confidence that the CEO Ms. Yukiko Takahashi has in Mr. Noriyasu Soda has led him to perform printing demonstrations overseas on behalf of the company. There are a variety of techniques of Edo woodblock printing and above all, the gradation technique called “bokashi” is especially difficult where the slightest gap makes the difference between success and failure. Noriyasu said, “I just do my best for what lies right in front of me”. The figure of a craftsman who is sincere in his daily work is reflected in his gentle mien.