Taki and Kenta’s works employ a variety of expressive techniques that take advantage of the climate and traditions of Karatsu. One of Taki’s most interesting new works is the “Karatsu Nanban Hanging Flower Vase,” fired with abalone shells. The gas emitted from the abalone shells during firing gives the part that the shell was on a shiny black color. This flower vase is particularly impressive: although fired in unglazed yakishime style, it has a beautiful luster, and the dull color of the ash cover and the abalone shell marks create a landscape that fills one’s heart with emotion. The “Karatsu Nanban Sake Cup,” also made of Karatsu Nanban clay, is a work whose rough soil texture compels one to touch it over and over. It is amazing how the same clay can give so many different expressions.

Kenta’s new sake ware and large bowls also caught our eyes. The “Mishima Bowl” has a tasteful and elegant impression with its distinctive inka stamp pattern and vigorous brushwork. “As we spend more and more time at home, I believe that many of us have come to cherish mealtime with our families. I hope that my tableware can create such a comfortable space,” said Kenta. He seemed to enjoy chatting with visitors.

Unfortunately this father and son exhibition had to be postponed due to the Covid 19 outbreak. This time, the exhibition was successfully held, and fans in the Tokyo area were able to enjoy the long-awaited event.

Written by Kyoko Tsutsumi

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Artist Profile

– Taki Nakazato
https://www.kogeistandard.com/artist/taki-nakazato/

– Kenta Nakazato
https://www.kogeistandard.com/artist/kenta-nakazato/