Interview: Ryotaro Kato (Ceramic Artist)
VOICE VOL.7

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We share a variety of information and perspectives on Japanese crafts, including exhibition information and interviews.
VOICE VOL.7
KOGEI & Me VOL.32
KOGEI Topics VOL.16
Featured Exhibitions & Events VOL.41
Mar 22 – Jul 27, 2025
ZENBI KAGIZEN ART MUSEUM
Mar 26 – Mar 31, 2025
Nihonbashi Mitsukoshi
Mar 29 – Apr 3, 2025
Terada Bijyutsu
Mar 30 – Jun 1, 2025
The Japan Folk Crafts Museum
The beauty of Kogei in everyday life. We share a variety of information and perspectives on Japanese crafts, including exhibition information and interviews.
KOGEI Topics VOL.13
The Japan Ceramic Society, a public interest incorporated association, has announced the winners of the 2023 Japan Ceramic Society Awards. The Japan Ceramic Society Awards are presented to the most outstanding artist of the year with the Japan Ceramic Society Award, and the Gold Prize is given to veteran artist who has made significant contributions to the ceramic art world or to artist who has al...
Editor's Column “The Path of Japanese Crafts” Part1: Japanese Aesthetic Sense VOL.11
The term “mujo” refers to the concept that things are transient, not eternal. When expressed as “shogyo mujo” (literally, “all things are impermanent”), it signifies the transitory nature of all phenomena. “Mujo-kan” (“view of impermanence”), on the other hand, is a philosophical perspective on life, contemplating the nature of existence and the ever-changing aspect of all ...
KOGEI Topics VOL.12
Since its founding in 1816 as a producer of metal pots or yakan in Tsubame-Sanjo, Niigata Prefecture, Gyokusendo has been producing items using the hammering technique of copperware. In recent years, Gyokusendo has actively engaged in industrial tourism, allowing visitors to experience the charm of craftsmanship in the production area.Following the Tsubame flagship store in Tsubame City, Niigata P...
KOGEI Topics VOL.11
The Tsutsumi Asakichi Urushi Store, founded in Kyoto in 1909, procures, refines, blends, and colors lacquer sap. As well as handling the sales of lacquer art materials and tools. The store has developed its own lacquer with superior weather resistance, which has been employed for the restoration of National Treasures and Important Cultural Properties such as the Nikko Toshogu Shrine and Himeji Cas...
New Products VOL.12
Artisans who work with glass every day have created new designs, striving to enhance the beauty of glass. These new creations, designed to seamlessly blend into daily life and add a touch of color, have resulted in the birth of 17 series this year.“Hasande hasande” is available in two plate sizes and a small bowl, featuring a beautiful design created by the unevenness of the surface that plays wit...
Exhibition • Event Report VOL.24
From February 21 to 26, 2024, an exhibition of woodworking artist Shingo Tsukuda’s works was held at the Yokohama Takashimaya Art Gallery, Yokohama, Kanagawa Prefecture. Shingo, who exhibits in various galleries, holds exhibitions at Nihonbashi Takashimaya and Yokohama Takashimaya almost every other year, and this exhibition marked his third solo exhibition. Born in Nagahama, Shiga Prefectur...
Featured Exhibitions & Events VOL.34
The exhibition “Mastering the Art: Exploring the Cultural Messages Connoted in Japanese Works” will be held from March 20 to 24, 2024. It will showcase works by holders of Important Intangible Cultural Property (Living National Treasures) and artists who preserve craft techniques to pass on to the next generation. The venue is the Former Imperial Guards Headquarters in Kitanomaru Garden, Chiyoda C...
Editor's Column “The Path of Japanese Crafts” Part1: Japanese Aesthetic Sense VOL.10
“Shibui” is one of Japan’s traditional aesthetics, expressing a deep-seated charm. Although commonly used to describe flavors, as for tea or wine, the term is versatile and finds its way into everyday language, describing not only taste but also colors or expressions, such as color is “shibui colors” or “wearing a shibui expression.”The kanji character “渋” (shib...
Exhibition • Event Report VOL.23 AD
On November 17 and 18, 2023, the event “Go Forward 2023” was organized by “NEXTRAD,” a team of 13 kiln owners from Imari and Arita in Saga Prefecture working to ensure a sustainable future for the Arita ware industry. The event aimed to raise awareness about the craftsmanship of Arita ware and the current situation and challenges faced by the industry. It featured exhibitio...
Exhibition • Event Report VOL.22
From November 18 to 26, 2023, ceramic artist Hideki Yanashita held an exhibition of his works at Japanese pottery gallery TOBETOBEKUSA in Hatchobori, Chuo-ku, Tokyo. This marks the sixth time that Hideki has held a solo exhibition at the gallery, and exactly one year since the last one there.After graduating from Kuwasawa Design School in Tokyo, Hideki trained in Shigaraki and built an ana-gama ki...
Featured Exhibitions & Events VOL.33
The international trade show for interior and design, “MAISON&OBJET” is scheduled to be held from January 18 to 22, 2024, at the Paris Nord Villepinte Exhibition Centre in France. This exhibition, which began in 1994, takes place biannually in January and September, attracting companies worldwide involved in various lifestyle aspects such as furniture, lighting, textiles, interior decoration, ...
VOICE VOL.5
How did the Ryuhaku glaze, which has become synonymous with your work, come about?There are three historic kiln sites in Sonose, and one can still find many pieces of ceramics scattered at the foot of the kilns. The fragments from that time often have a different texture than the current image of Hagi ware, and can evoke surprisingly new and different feelings as well. One of them had a coloring s...
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From Japan to the world.Awareness through Kogei.
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Passing on the feelings of craftspeople towards their crafts.Along with the best piece to cherish for life.
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Things that I noticed and feltvisiting the region of production, breathing the local airseeing the same scenery as the craftsmen.
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This column introduces various craft production regions around Japan.
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