Stories of Craftspeople: Taiyo Nakazato (CEO and Porcelain Artisan)
KOGEI & Me VOL.32
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We share a variety of information and perspectives on Japanese crafts, including exhibition information and interviews.
KOGEI & Me VOL.32
KOGEI Topics VOL.16
Featured Exhibitions & Events VOL.41
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Tokyo
Feb 7 – Feb 11, 2025
SHIBUYA KURODA TOEN
Feb 7 – Feb 22, 2025
HULS GALLERY TOKYO
Feb 7 – Feb 22, 2025
Tosei Kyoto Gallery
Feb 8 – Feb 12, 2025
HIIRONO
The beauty of Kogei in everyday life. We share a variety of information and perspectives on Japanese crafts, including exhibition information and interviews.
KOGEI Topics VOL.14
Shitsurindo, a manufacturer based in the Kawada area of Sabae, Fukui Prefecture, one of Japan’s leading lacquerware production areas, has been engaged in the production and sale of Echizen lacquerware. Founded in 1793, the company has a long history and in 2023, the 230th anniversary of its founding, was certified as a purveyor to Daihonzan Eiheiji temple, which is also located in Echizen. In addi...
The Art of Appreciating Tea Bowls VOL.1
The sound of the tea whisk ceases, and a bowl of tea is placed before you by the host. The steam softly rising from the bowl, the faint aroma of matcha powdered green tea wafting through your nose. In the serene moment before taking a sip, there is always a tea bowl between the host and the guest.Sen no Rikyu, who established the art of the tea ceremony, taught the principles of “Wa, Kei, Se...
Editor's Column “The Path of Japanese Crafts” Part1: Japanese Aesthetic Sense VOL.12
This phrase “mono no aware” represents an aesthetic ideal proposed by Motoori Norinaga, a scholar of classical Japanese literature in the late Edo period (1603-1868), which is considered crucial for understanding the court literature of the Heian period (794-1185). “Mono no aware,” literally “the pathos of things” but also translated as “an empathy toward things,” encapsulates the profound emotion...
Featured Exhibitions & Events VOL.36
The “Art Kogei, from Japan to the World Executive Committee” will host the Special Exhibition “The Future of Artisanal Beauty: Vessels, Wrappings, Decorations.” The first exhibition will be held from July 4 to 16, 2024 at TERRADA ART COMPLEX II BONDED GALLERY by Warehouse TERRADA, which leads art projects based in Tennoz, Tokyo. The second exhibition is scheduled from November 3 to 5, 2024 at Kenn...
Exhibition • Event Report VOL.25
From April 20 to 25, 2024 an exhibition of ceramic artist Kenta Nakazato’s works was held at Kakiden Gallery in Shinjuku, Tokyo.This marked the second time for Kenta to hold a solo exhibition at this gallery, following his debut solo show there in April the previous year. That 2023 event was also his first solo exhibition in Tokyo, and since then he has steadily expanded his presence through...
Featured Exhibitions & Events VOL.35
The LOEWE FOUNDATION Craft Prize, launched in 2016 by LOEWE Creative Director Jonathan Anderson, is an international annual award that recognizes the importance of craft in today’s culture and honors working artisans whose talent, vision and innovation set standards for the future. This year, the LOEWE FOUNDATION announced the 30 finalists for the seventh edition of the Craft Prize. The finalists’...
New Products VOL.13
Maruhiro Inc. has released the “Enceladus Sobachoko” under its own brand “BARBAR” on March 22, 2024. Maruhiro is a ceramic manufacturer that produces tableware and interior items of Hasami ware, a traditional craft of Nagasaki Prefecture. Hasami ware is manufactured under a division of labor, with each production process being operated by different companies. Maruhiro acts as a producer that reque...
KOGEI Topics VOL.13
The Japan Ceramic Society, a public interest incorporated association, has announced the winners of the 2023 Japan Ceramic Society Awards. The Japan Ceramic Society Awards are presented to the most outstanding artist of the year with the Japan Ceramic Society Award, and the Gold Prize is given to veteran artist who has made significant contributions to the ceramic art world or to artist who has al...
Editor's Column “The Path of Japanese Crafts” Part1: Japanese Aesthetic Sense VOL.11
The term “mujo” refers to the concept that things are transient, not eternal. When expressed as “shogyo mujo” (literally, “all things are impermanent”), it signifies the transitory nature of all phenomena. “Mujo-kan” (“view of impermanence”), on the other hand, is a philosophical perspective on life, contemplating the nature of existence and the ever-changing aspect of all ...
KOGEI Topics VOL.12
Since its founding in 1816 as a producer of metal pots or yakan in Tsubame-Sanjo, Niigata Prefecture, Gyokusendo has been producing items using the hammering technique of copperware. In recent years, Gyokusendo has actively engaged in industrial tourism, allowing visitors to experience the charm of craftsmanship in the production area.Following the Tsubame flagship store in Tsubame City, Niigata P...
KOGEI Topics VOL.11
The Tsutsumi Asakichi Urushi Store, founded in Kyoto in 1909, procures, refines, blends, and colors lacquer sap. As well as handling the sales of lacquer art materials and tools. The store has developed its own lacquer with superior weather resistance, which has been employed for the restoration of National Treasures and Important Cultural Properties such as the Nikko Toshogu Shrine and Himeji Cas...
New Products VOL.12
Artisans who work with glass every day have created new designs, striving to enhance the beauty of glass. These new creations, designed to seamlessly blend into daily life and add a touch of color, have resulted in the birth of 17 series this year.“Hasande hasande” is available in two plate sizes and a small bowl, featuring a beautiful design created by the unevenness of the surface that plays wit...
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From Japan to the world.Awareness through Kogei.
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Passing on the feelings of craftspeople towards their crafts.Along with the best piece to cherish for life.
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Things that I noticed and feltvisiting the region of production, breathing the local airseeing the same scenery as the craftsmen.
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This column introduces various craft production regions around Japan.
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