“Toward the Revitalization of Wajima Lacquerware”
Special Column “Toward the Revitalization of Wajima Lacquerware” VOL.1
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VOL.1-16
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We share a variety of information and perspectives on Japanese crafts, including exhibition information and interviews.
Special Column “Toward the Revitalization of Wajima Lacquerware” VOL.1
VOICE VOL.7
KOGEI & Me VOL.32
KOGEI Topics VOL.16
Dec 7, 2024 – Jun 1, 2025
TOYAMA GLASS ART MUSEUM
Dec 11, 2024 – Mar 2, 2025
Kiyomizu Sannenzaka Musuem
Dec 17, 2024 – Mar 2, 2025
The National Museum of Modern Art, Kyoto
Dec 25, 2024 – Jan 6, 2025
Nihonbashi Mitsukoshi
Hiroshi Taruta is a ceramic artist energetically dedicated to his creative pursuits in Seto, Aichi Prefecture. His artistic style combines refreshing shades of seihakuji (blue-white glaze) porcelain with the translucent technique of hotaru-de, which allows light to pass through. The artist has consistently pursued this artistic style throughout his ceramic career. To master the technically challenging hotaru-de technique, he diligently hones his skills day by day. The resulting pieces embody a cool and serene beauty, and have garnered increasing attention in recent years.
“Kobo / Ray of Light” is a flower vase with a striking design featuring multiple thin streams of light flowing in straight lines. It exudes an orderly and harmonious presence, as the subtle interplay of light and the smoothness of the seihakuji glaze pool soften the overall atmosphere. The assured lines resemble the trajectories of stars tracing across the sky, earnestly expressing a landscape that capturing the artist’s personal perception of beauty.