“Toward the Revitalization of Wajima Lacquerware”
Special Column “Toward the Revitalization of Wajima Lacquerware” VOL.1
VOL.1
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VOL.1-7
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VOL.1-32
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VOL.1-16
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VOL.1-41
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VOL.1-2
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VOL.1-26
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VOL.1-12
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We share a variety of information and perspectives on Japanese crafts, including exhibition information and interviews.
Special Column “Toward the Revitalization of Wajima Lacquerware” VOL.1
VOICE VOL.7
KOGEI & Me VOL.32
KOGEI Topics VOL.16
Dec 7, 2024 – Jun 1, 2025
TOYAMA GLASS ART MUSEUM
Dec 11, 2024 – Mar 2, 2025
Kiyomizu Sannenzaka Musuem
Dec 17, 2024 – Mar 2, 2025
The National Museum of Modern Art, Kyoto
Dec 25, 2024 – Jan 6, 2025
Nihonbashi Mitsukoshi
An appearance like iron surprises with the pleasant light feel of wood. The finished work, having gone through numerous processes, is filled with a deep texture, the gold leaf not gaudy but rather creating beautiful shadows. The artist’s mastery of lacquer work is deeply impressive, and the bowl grows in character every time one holds it in one’s hand.