Mori Kougei Introduces the New “Ai-Urushi” Finish to “RAYS PLATE ROUND”
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We share a variety of information and perspectives on Japanese crafts, including exhibition information and interviews.
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KOGEI Topics VOL.17
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Mar 22 – Jul 27, 2025
ZENBI KAGIZEN ART MUSEUM
Mar 26 – Mar 31, 2025
Nihonbashi Mitsukoshi
Mar 29 – Apr 3, 2025
Terada Bijyutsu
Mar 30 – Jun 1, 2025
The Japan Folk Crafts Museum
Hagi ware originated in the Azuchi-Momoyama period (1573-1603), when potters were invited to Japan from the Korean Peninsula. Over time, many craftsmen moved to the Sonose area and built kilns there, and the Fukawa kilns of Hagi ware were established as the official kilns of the Hagi domain. Today ceramic artist Takao Tahara continues to engage with his own vision of Hagi ware at this long-established kiln, drawing on its rich history.
Takao’s current focus, Ryuhaku glaze, is a unique creation inspired by ancient ceramic fragments found at the historic Sonose kiln site, born from his experimentation with different glaze formulations. He layers glazes made with straw ash and pine ash over the Daido-tsuchi clay of Hagi, creating a natural yet bold shift in color from brown to pale green. The elegant shape, which beautifully showcases the fine vertical streaks of the flowing glaze, is solidly supported by the kiri-kodai or “cut foot” of the bowl, one of the characteristic features of Hagi ware.
Fragments of ceramics still found today at the remnants of old kilns in Hagi reveal pieces that differ from the traditional images of Hagi ware. This reflects the unwavering history and depth of the Hagi ware tradition, which has always embraced new styles as they emerge with the times. The new vision of Hagi ware Takao brings to life is sure to shape the history that lies ahead.