Tea Bowl with Celadon Glaze

Ceramics

Craft Artist: Nobuyuki Kimura

ORIGIN: Kyoto
MATERIAL: Clay

The beauty of color and crackle

A quaint tea bowl in a lush celadon glaze reminiscent of ancient Chinese ceramics. The elegant color and delicate crackled expressions give an impression of the Kyoto artist’s sense which is reflected in its depth. The wonderful harmony with the unglazed foot is also aesthetically pleasing.

Related Contents

Nobuyuki Kimura

Ceramic Artist

CRAFT ARTIST

VOL.5

READ

INSIGHT

A Bowl Trusted for Peaceful a Sip of Tea

The Art of Appreciating Tea Bowls VOL.1

The sound of the tea whisk ceases, and a bowl of tea is placed before you by the host. The steam softly rising from the bowl, the faint aroma of matcha powdered green tea wafting through your nose. In the serene moment before taking a sip, there is always a tea bowl between the host and the guest.Sen no Rikyu, who established the art of the tea ceremony, taught the principles of “Wa, Kei, Se...

RESOURCE

Kan-nyu (Crackle)
- Technique
The cracking that appears on the surface of glazed ceramics as a result of the differing rates of expansion and contraction between base and glaze during firing. Crackle is regarded as an important factor in appreciating the aesthetic quality of such ceramic works.
Celadon
- Generic term
A type of ceramics in ash glaze which includes a small content of iron, called celadon glaze. With high temperature of over 1,200 degree through reduction firing, the color varies from blue to green. Its delicate tones depend on the blending ratio of iron and methods for firing. Originated in ancient China, celadon ware was highly regarded as prestigious ceramics which expresses the color of Jade. Later, it was spread to Korea, Southeast Asia and Japan. Celadon wares in powder blue (粉青 – funsei ) produced in China during the Southern Song Dynasty were especially cherished as the highest-ranked masterpieces in Japan. Its literal name is sometimes distinguished in Chinese character by its materials, when using stones it is referred to as 青磁 – seiji, and when using clay it is referred to as 青瓷 – seiji.

KOGEI STANDARD Japanese Crafts Online Media

New Products

Editor's Column “The Path of Japanese Crafts” Part2: Modern Society and Kogei

The Art of Appreciating Tea Bowls

Featured Exhibitions & Events

Special Column “Toward the Revitalization of Wajima Lacquerware”

VOICE

KOGEI & Me

KOGEI Topics

Exhibition • Event Report

Editor's Column “The Path of Japanese Crafts” Part1: Japanese Aesthetic Sense

Editor's Column "Craft Production Regions"

Editor's Note

KOGEI STANDARD
JAPANESE CRAFTS ONLINE MEDIA

InsightKogei Articles

Latest Articles

Kimoto Glass Tokyo Launches New Product “Strata”

Craftsmanship

Delighting in Diversity

The International Interior and Design Trade Show “Maison&Objet” Will Be Held in Paris in January 2025

Exhibition Information

Q Tani Ceramics Exhibition 口 SAI

Iga: Takashi Tanimoto, Shigaraki: Katrunori Sawa, Seto: Makoto Yamaguchi Exhibition

Ryosuke Ando Exhibition

Kutani Ware Three-person Exhibition

Articles by Series

New Products

Editor's Column “The Path of Japanese Crafts” Part2: Modern Society and Kogei

The Art of Appreciating Tea Bowls

Tea Bowl with Celadon Glaze

The beauty of color and crackle

Kenki-teki

Shino Tea Bowl

Yohen Kohiki Tea Bowl

Cuir Design Boku-sansui Water Jar

Nobuyuki Kimura

A Bowl Trusted for Peaceful a Sip of Tea

KOGEI STANDARD JAPANESE CRAFTS ONLINE MEDIA

Latest Articles

Exhibition Information

Q Tani Ceramics Exhibition 口 SAI

Iga: Takashi Tanimoto, Shigaraki: Katrunori Sawa, Seto: Makoto Yamaguchi Exhibition

Ryosuke Ando Exhibition

Kutani Ware Three-person Exhibition

Articles by Series

New Products

Editor's Column “The Path of Japanese Crafts” Part2: Modern Society and Kogei

The Art of Appreciating Tea Bowls

The beauty of color and crackle

Nobuyuki Kimura

KOGEI STANDARD
JAPANESE CRAFTS ONLINE MEDIA