Commemorative Project for the 350th Anniversary of the Establishment of “Nabeshima Ware” Begins
KOGEI Topics VOL.18

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We share a variety of information and perspectives on Japanese crafts, including exhibition information and interviews.
KOGEI Topics VOL.18
New Products VOL.16
New Products VOL.15
KOGEI Topics VOL.17
Mar 22 – Jul 27, 2025
ZENBI KAGIZEN ART MUSEUM
Mar 26 – Mar 31, 2025
Nihonbashi Mitsukoshi
Mar 29 – Apr 3, 2025
Terada Bijyutsu
Mar 30 – Jun 1, 2025
The Japan Folk Crafts Museum
Shigaraki ware fired during the Middle Ages, known as “Ko-Shigaraki” (“Old Shigaraki”), still retains the unique presence of the time. The aesthetic of the potters of that era embodied in these pieces remains as vibrant and enduring as ever. How can we express this “consciousness of ceramics,” as it might be called, in today’s spaces? Shigaraki ceramic artist Q Tani faces this question every day, attempting to create ceramics with the same perspective as the potters of the Middle Ages.
This piece, Shigaraki Tea Bowl, is a bowl that draws attention with its round shape and the contrast of light and dark colors. It is fired in an ana-gama (cave kiln) and placed in a box called a saya, which is designed to control the way the colors emerge. The surface of the bowl reveals feldspar typical of Shigaraki ware, conveying its texture in a simple, unadorned manner, and its thin, large, round shape fits well in the hand. The kodai or foot is pressed with a finger after separating the bowl from the turning wheel, adding an interesting nuance. Primitive yet modern, rough yet refined, the piece evokes a mysterious feeling, as if it contains contradictory elements simultaneously. It is a fine work that makes you believe there is a unique atmosphere that only this piece can emit.