Tobe
Editor's Column "Craft Production Regions" VOL.4 AD

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We share a variety of information and perspectives on Japanese crafts, including exhibition information and interviews.
Editor's Column "Craft Production Regions" VOL.4 AD
KOGEI Topics VOL.19
New Products VOL.17
Featured Exhibitions & Events VOL.43
Apr 5 – Jun 22, 2025
SEIKADO BUNKO ART MUSEUM
Apr 19 – Nov 24, 2025
The Museum of Oriental Ceramics, Osaka
Kanagawa
Apr 19 – Apr 27, 2025
ink gallery
Tokyo
Apr 22 – Apr 27, 2025
KAKIDEN GALLERY
Nine delicious-looking pieces sit neatly in a box. Astonishingly, they are all lidded works made of wood, lacquer, gold and silver leaf, and other materials. They are so perfect that they could be mistaken for real chocolate.
Flourishing as a historic castle town, Aizu in Fukushima Prefecture has nurtured a vibrant style of lacquer craftsmanship known as “Aizu-nuri,” which utilizes a wide range of techniques and has been cherished by the local people. This “Nine Small Pieces of Chocolate Bonbonniere” was created by Takao Togashi, a nushi (lacquer artisan), who playfully combined a variety of techniques that together embody the essence of Aizu. The lustrous deep red color adorning the wooden chestnut-shaped base is achieved through Takao’s expertise in Aizu Tamamushi-nuri. The gold and silver pieces, decorated like silver dragee candies, are created using a technique known as tetsusabi-nuri or “iron-rust lacquering” to create a three-dimensional effect. The flowing and elegant lines that look like poured chocolate are actually expressed by pouring urushi lacquer over the pieces.
Takao, who humbly identifies himself not as an artist but as a craftsman, possesses a rich sensibility reminiscent of craftsmen from ancient times, who take joy in the act of creating.