Stories of Craftspeople: Taiyo Nakazato (CEO and Porcelain Artisan)
KOGEI & Me VOL.32
VOL.1-32
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VOL.1-41
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VOL.1-2
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VOL.1-26
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We share a variety of information and perspectives on Japanese crafts, including exhibition information and interviews.
KOGEI & Me VOL.32
KOGEI Topics VOL.16
Featured Exhibitions & Events VOL.41
Featured Exhibitions & Events VOL.40
Nov 20 – Nov 26, 2024
Nihonbashi Mitsukoshi
Nov 21 – Nov 26, 2024
Toukyo
Nov 23 – Nov 28, 2024
KAKIDEN GALLERY
Nov 23 – Dec 1, 2024
TOBETOBEKUSA
The gentle pale yellow surface of this tea bowl calls to mind a piece of abura-age, a kind of soft fried tofu, and indeed is often called “aburage-de” – an ideal expression for this “Ki-Seto Tea Bowl” by Yu Nishioka. With its thin base, thinly applied glaze, softly splashed green of the modest decorative “tanpan” green copper, and koge scorch marks visible on the kodai (foot) of the bowl as proof that it has been well fired, this exquisite bowl has a well-balanced beauty.
Ki-Seto ware, a style of ceramics which originated in Mino during the Momoyama period (1573-1603), is made by applying an ash glaze to the base in oxidation firing. It is considered extremely difficult to successfully bring out the texture of aburage-de; even with the utmost attention to the thickness of the base and glaze, firing temperature, humidity, and other factors, this texture can only be achieved in a limited area within the kiln. Perhaps because of these demanding conditions, few artisans today are taking on the challenge of producing genuine Ki-Seto works. For Yu, however, that complexity and challenge is precisely the reason for his fascination with ceramic making. His works are now attracting a great deal of attention as he works day and night in pursuit of the ideal expression of Ki-Seto ware.