Commemorative Project for the 350th Anniversary of the Establishment of “Nabeshima Ware” Begins
KOGEI Topics VOL.18

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We share a variety of information and perspectives on Japanese crafts, including exhibition information and interviews.
KOGEI Topics VOL.18
New Products VOL.16
New Products VOL.15
KOGEI Topics VOL.17
Mar 22 – Jul 27, 2025
ZENBI KAGIZEN ART MUSEUM
Mar 26 – Mar 31, 2025
Nihonbashi Mitsukoshi
Mar 29 – Apr 3, 2025
Terada Bijyutsu
Mar 30 – Jun 1, 2025
The Japan Folk Crafts Museum
The gentle pale yellow surface of this tea bowl calls to mind a piece of abura-age, a kind of soft fried tofu, and indeed is often called “aburage-de” – an ideal expression for this “Ki-Seto Tea Bowl” by Yu Nishioka. With its thin base, thinly applied glaze, softly splashed green of the modest decorative “tanpan” green copper, and koge scorch marks visible on the kodai (foot) of the bowl as proof that it has been well fired, this exquisite bowl has a well-balanced beauty.
Ki-Seto ware, a style of ceramics which originated in Mino during the Momoyama period (1573-1603), is made by applying an ash glaze to the base in oxidation firing. It is considered extremely difficult to successfully bring out the texture of aburage-de; even with the utmost attention to the thickness of the base and glaze, firing temperature, humidity, and other factors, this texture can only be achieved in a limited area within the kiln. Perhaps because of these demanding conditions, few artisans today are taking on the challenge of producing genuine Ki-Seto works. For Yu, however, that complexity and challenge is precisely the reason for his fascination with ceramic making. His works are now attracting a great deal of attention as he works day and night in pursuit of the ideal expression of Ki-Seto ware.