Delighting in Diversity
The Art of Appreciating Tea Bowls VOL.3
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VOL.1-7
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VOL.1-16
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We share a variety of information and perspectives on Japanese crafts, including exhibition information and interviews.
The Art of Appreciating Tea Bowls VOL.3
Featured Exhibitions & Events VOL.42
Special Column “Toward the Revitalization of Wajima Lacquerware” VOL.1
VOICE VOL.7
Jan 25 – Mar 2, 2025
Sakai Plaza of Rikyu and Akiko
Jan 30 – Feb 9, 2025
Seiko House Hall
Feb 1 – Feb 7, 2025
KAKIDEN GALLERY
Tokyo
Feb 7 – Feb 11, 2025
SHIBUYA KURODA TOEN
Humans cannot live in the soil. This is because there is no oxygen, and they cannot breathe. While this is an entirely obvious fact, at the same time there are also organisms that survive in environments without oxygen. Many of those are bacteria or microorganisms, and they exist in the earth or in the ocean. In Japanese these organisms are called kenki-sei seibutsu (anaerobic organisms).
Takashi Tanimoto’s work “Kenki-teki” (literally, “anaerobic”) is a work inspired by those kenki-sei seibutsu. For a ceramic artist, clay is an indispensable material in the creative process. This piece, created under the theme of “deep breath,” reflects the artist’s ongoing engagement with clay. Made with Iga clay and feldspar, the piece was repeatedly fired, resulting in a form that exudes a dense, heavy quality, as if almost entirely disconnected from oxygen. One might imagine that this is what an anaerobic organism could look like if enlarged.
At the same time, firing is itself a chemical reaction with oxygen. The mass of clay, inspired by anaerobic organisms, comes into contact with oxygen in the kiln, either bonding with it or separating from it, transforming, and ultimately giving birth to the piece. Despite being “Kenki-teki”, it presents a striking contrast that evokes the presence of oxygen, adding a fascinating subtext of deeper meaning. As one gazes at it, one feels an unexpected urge to take a deep breath. It is a work that inspires such a response.