“Toward the Revitalization of Wajima Lacquerware”
Special Column “Toward the Revitalization of Wajima Lacquerware” VOL.1
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We share a variety of information and perspectives on Japanese crafts, including exhibition information and interviews.
Special Column “Toward the Revitalization of Wajima Lacquerware” VOL.1
VOICE VOL.7
KOGEI & Me VOL.32
KOGEI Topics VOL.16
Dec 7, 2024 – Jun 1, 2025
TOYAMA GLASS ART MUSEUM
Dec 11, 2024 – Mar 2, 2025
Kiyomizu Sannenzaka Musuem
Dec 17, 2024 – Mar 2, 2025
The National Museum of Modern Art, Kyoto
Dec 25, 2024 – Jan 6, 2025
Nihonbashi Mitsukoshi
Takashi Nakazato’s Karatsu Hakeme Tea Bowl is crafted from iron-rich clay native to Karatsu. With a masterful hand on the potter’s wheel, he shapes a form of strength and elegance. A white slip, applied with straw brushes, lays flowing milky-white lines across the broad, open shape, and is finished with a clear glaze. The gentle interplay of the brush strokes and the deep brown clay surface creates an expansive, natural feeling, embodying the artist’s words: “I create by letting it flow without conscious thought.” This simplicity carries a charm free of unnecessary effort, imbued with an effortless, natural beauty.
Although Takashi Nakazato grew up within a historic kiln in Karatsu, he has continually pushed beyond the boundaries of traditional Old Karatsu ware, exploring and refining new techniques. Still, from the very beginning of his pottery journey, he has consistently crafted works using the brush-marked hakeme style. Having traveled both within Japan and abroad, he brings a liberating creative approach to his mature pieces, enriched by the experiences gained in diverse lands. This particular piece, with the natural texture of Karatsu that the artist has brought forth, invites one to savor its depth and tactile beauty up close.