Kimoto Glass Tokyo Launches New Product “Strata”
New Products VOL.14

VOL.1-14
Update
VOL.1-2
Update
VOL.1-3
Update
VOL.1-42
Update
VOL.1
Update
VOL.1-7
Update
VOL.1-32
Update
VOL.1-16
Update
VOL.1-26
Update
VOL.1-12
Update
VOL.1-3
Update
VOL.1
Update
We share a variety of information and perspectives on Japanese crafts, including exhibition information and interviews.
New Products VOL.14
Editor's Column “The Path of Japanese Crafts” Part2: Modern Society and Kogei VOL.2
The Art of Appreciating Tea Bowls VOL.3
Featured Exhibitions & Events VOL.42
Feb 13 – Feb 26, 2025
WAKO ARTS & CULTURE
Feb 19 – Feb 23, 2025
Kyoto Takashimaya
Tokyo
Feb 19 – Feb 23, 2025
GALLERY Mus
Feb 22 – Feb 27, 2025
Terada Bijyutsu
There is a dignified sense of calm tension in this “Ice Crackle Patterned Vase,” a creation of Takeshi Imaizumi, an artist who specializes in Tenmoku (black glazed tea bowls) and celadon ware. The thickly applied glaze shows through the smooth black clay, giving the piece a refined, glossy light black color. The delicate layers of intricate kan-nyu (crackle) give the piece a sense of infinite depth, so absorbing that I feel almost pulled in by its appearance. As the name “Ice Crackle Pattern” implies, the work presents a tranquil world of colorless colors, as if it has trapped a moment of ice cracking.
The aesthetic sense of celadon ware has certainly become more diverse over its long history. During the pursuit of the ultimate blue, a variety of colors were brought into being. It is no exaggeration to say that kan-nyu has become a recognized form of decorative expression, and one where the artist’s individuality is most evident, from the finest to the boldest of kan-nyu.
This work is one of those that suggests the possibility of diverse expressions. We cannot help but look forward to the future evolution of Takeshi’s work.