“Toward the Revitalization of Wajima Lacquerware”
Special Column “Toward the Revitalization of Wajima Lacquerware” VOL.1
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VOL.1-32
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VOL.1-16
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VOL.1-41
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We share a variety of information and perspectives on Japanese crafts, including exhibition information and interviews.
Special Column “Toward the Revitalization of Wajima Lacquerware” VOL.1
VOICE VOL.7
KOGEI & Me VOL.32
KOGEI Topics VOL.16
Dec 7, 2024 – Jun 1, 2025
TOYAMA GLASS ART MUSEUM
Dec 11, 2024 – Mar 2, 2025
Kiyomizu Sannenzaka Musuem
Dec 17, 2024 – Mar 2, 2025
The National Museum of Modern Art, Kyoto
Dec 25, 2024 – Jan 6, 2025
Nihonbashi Mitsukoshi
An overwhelming presence, as if you can feel the heat of the flame behind its neat appearance. Created by ceramic artist Ryotaro Kato, the jet-black luster known as hikidashi-guro is both serene and passionate, with a strong sense of power that draws in the viewer.
The black luster of the hikidashi-guro appears when the piece is pulled out (in Japanese, “hikidashi”) of the burning kiln and cools rapidly. The ability to grab and pull out a piece from the scorching flames carefully yet without hesitation, like the power of concentration to discern the moment, is not an ordinary thing, but has been cultivated through long experience, repeated firings in a wood-burning kiln. Well-versed in the art of the tea ceremony, Ryotaro created this tea bowl with Mino clay specially selected for hikidashi-guro and fired in a dedicated ana-gama or cave kiln. Emerging glossy black as if the inside of the bowl was wet, the contrast with the neat white clay surface of the kodai, or foot of the bowl, is beautiful.
Mino-Momoyama ware is a unique Japanese pottery with a long history that developed along with the tea ceremony in the Azuchi-Momoyama period (1573-1603). Enjoy a bowl of tea to your heart’s content in this modern-day beauty of Japan, created by an artist who carries on the traditional ceramic art of the region.