Tobe
Editor's Column "Craft Production Regions" VOL.4 AD

VOL.1-4
Update
VOL.1-19
Update
VOL.1-17
Update
VOL.1-43
Update
VOL.1-2
Update
VOL.1-3
Update
VOL.1
Update
VOL.1-7
Update
VOL.1-32
Update
VOL.1-26
Update
VOL.1-12
Update
VOL.1
Update
We share a variety of information and perspectives on Japanese crafts, including exhibition information and interviews.
Editor's Column "Craft Production Regions" VOL.4 AD
KOGEI Topics VOL.19
New Products VOL.17
Featured Exhibitions & Events VOL.43
Apr 5 – Jun 22, 2025
SEIKADO BUNKO ART MUSEUM
Apr 8 – May 6, 2025
The Gotoh Museum
Apr 11 – Jun 15, 2025
Kyoto City KYOCERA Museum of Art
Apr 12 – Jun 29, 2025
TOGURI MUSEUM OF ART
Ikuko Ogawa, a kiriko (cut glass) artist, draws out the magic of glass using a foundation of the Edo kiriko technique she acquired through years of training, enhancing it at times with the characteristics of Satsuma kiriko.
“Cut Glass Frame, Diamond Shape” evokes a scene of a bright full moon hovering over a mountain. The bright yellow circular glass is finely engraved with a traditional kiku-tsunagi or “chrysanthemum chain” pattern, while the deep green asymmetrically shaped glass has a strong linear presence, like the ridges of a mountain. The exquisite placement of the two contrasting pieces of glass reveals the artist’s acute sensibility. The glass, floating in the air in a diamond-shaped frame supported by elaborate silver wirework, catches the light and casts delicate shadows around the room.
An expression born from independent thinking, given form by solid skill. This work inspires with the way traditional techniques sparkle within contemporary style.