“Toward the Revitalization of Wajima Lacquerware”
Special Column “Toward the Revitalization of Wajima Lacquerware” VOL.1
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VOL.1-16
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We share a variety of information and perspectives on Japanese crafts, including exhibition information and interviews.
Special Column “Toward the Revitalization of Wajima Lacquerware” VOL.1
VOICE VOL.7
KOGEI & Me VOL.32
KOGEI Topics VOL.16
Dec 7, 2024 – Jun 1, 2025
TOYAMA GLASS ART MUSEUM
Dec 11, 2024 – Mar 2, 2025
Kiyomizu Sannenzaka Musuem
Dec 17, 2024 – Mar 2, 2025
The National Museum of Modern Art, Kyoto
Dec 25, 2024 – Jan 6, 2025
Nihonbashi Mitsukoshi
A ceramic artist living in Bizen City, Okayama Prefecture. He inherited the kiln from Furai Mori, his grandfather and Bizen ware artist. He aims for creations that reflects the strength of nature of Bizen’s clay and stone using the potter’s wheel and tebineri (hand-building) which is handed down by his grandfather.
A creation by Taiga Mori that makes us feel the soil of Bizen and the flames of nature, which looks like it is cut out from nature’s landscape. When place in our hands, we can feel the sincerity of the artist who respects the daily life that he has accumulated over time in this place.
Born in Inbe, Bizen City, Okayama Prefecture
After graduating from Bizen Ceramics Center, he inherited the kiln from Furai Mori, his grandfather and Bizen ware artist. Learned ceramic sculpture from Gyokushu Kimura
Built Bizen style kiln in France with five Bizen ware artists
Exhibited and lectured at Musée national de la porcelaine Adrien Dubouché in Limoges, France
Travelled to the United States with three Bizen ware artists. Held exhibition, kiln-firing instruction, conducted tea ceremony
Exhibited Bizen ware audio speaker at Milano Salone in Milan, Italy
Exhibition, lecture and tea ceremony at Ceramics Museum Berlin (Tea ceremony exhibition) in Germany
Three-person exhibition in China at Tiantai Mountain National Museum, in Hangzhou and in Shanghai
Exhibited at Collect in UK
Held exhibitions in Costa Rica, Taiwan and Korea
Started “gallery Kai” through joint management
Exhibited at Art Taipei and Art Fair Philippine